![]() ![]() Setting up the equipment is really easy. The combination of the R5 C and RF5.2mm F2.8 L DUAL FISHEYE is very compact, and can be completed simply by placing it on a small tripod and leveling it. Needless to say, it takes time and effort to shoot VR with two cameras like before. One point to note is that the area directly below the lens is also reflected, so if the tripod is not reflected, you need to devise a way to position the camera slightly in front of the tripod. This time, we dared to proceed with a production that could be overlooked. rice field.īelow is a list of what I felt at the shooting site. This time, we decided to shoot a 3D 180° VR shot of photographer/videographer Goto Aki in his own atelier with a combination of Canon EOS R5 C and RF5.2mm F2.8 L DUAL FISHEYE. The editorial department conducts interviews in various places, but the results are only published in articles, and the interview sites are not usually made public. I was convinced that the experience of being there would be interesting. working as if they were a client. However, from the standpoint of PRONEWS, it was decided that the “coverage site” would be interesting. What are the scenes that we can cut out that we can not easily see?įor example, we came up with a plan to set up a VR camera at the still shooting site in the studio and watch the model, cameraman, director, etc. ![]() Yajima of Canon at the lecture the other day. It was a comment that said, “Cut out the place.” The appeal of 3D 180° VR is that you can experience an immersive experience as if you were there. I decided to think of a shooting content that would draw out that. The concept of “cutting out the place”īased on these, I was reminded of the words of Mr. The pattern at the live house. Interesting enough to see the movement of the band and crowdI also shot a band at a live house. I was happy to be able to turn to each player during the band’s solo part, and it was also interesting to see people cradling babies in the audience reflected on the edge of the screen. I can’t help but be interested in what happens on the screen other than the band performance. First of all, after the meeting with the PRONEWS editorial staff the other day, we did some VR shooting tests. One was a model shoot. I asked the model to stand and take a picture, but I couldn’t feel the charm of VR because there was only one person in the middle of the ultra-wide-angle image. Rather than that, it’s more interesting to see unrelated people reflected in the surroundings by chance, and it attracts my interest. ![]()
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